I'M SORRY BUT I LOVE COUTURE

I'll start off first by saying that Eva Minge is an unfortunate name, especially when you're famous and a designer, and people have to say 'this piece I'm wearing is by Eva Minge'... But I guess she doesn't care because she is rich :')

And now, onto more couture! Zuhair Murad's collection was amazing. It's seriously beautiful and I just can't imagine being able to create such wonderful things. Fashion designers just have so much talent it's unbelievable.

If I could own the above outfit, I think I would die happy.




On Aura Tout Vu had some more weird and wonderful pieces this season, that I think were mostly inspired by birds, particularly Peacocks, but if I'm wrong, that is what a lot of the pieces reminded me of, so there! This dress reminded me of the Prada's chandelier shoes actually, which is either weird, or awesome.


And I hated Margiela. I'm sorry, but I just can't abide all that animal skin! It's probably really cutting-edge and innovative from a fashion perspective but I really dislike it.


Finally, a designer I've never heard of before, Franck Sorbier, had some really gorgeous pieces, some of them with a bit of a recycling theme. I particularly liked this dress.

The end.

once again addressing money issues whilst obsessing over expensive clothes

Being depressingly poor has somehow not stopped me from going shopping, and even if I'd tried to be ignorant of it, it's difficult not to notice the heavy influences of high fashion this season on the high street. Lace, denim, over-sized tshirts with breton stripes, several different takes on nautical, the short trench, and beautiful neutral colours. I am a sucker for minimalism, and I can happily spend a ton of money just on unembellished shirts in a smorgasbord of pastel colours.

... I can't remember where I was going with this, but yeah anyways I think I was just saying that IT IS DEPRESSING that I want to buy EVERYTHING in H&M, New Look and Topshop right now. Especially the former... Everything is so pretty I just want to throw it all into a pile and sit in the middle of it. I don't exactly know what that would achieve, but I feel that it would be incredibly satisfying.

OH AND for the FRTW2010 shows so far, my favourites are A.F. Vandevorst with the beige body armour pieces over flowing, drapey trousers... Plus they drew on their models with chalk which I personally think is pretty immense;



and Elie Saab's ever-beautiful floorlength sheer black gowns that make me wish I was insanely rich just so I can own one. In fact, upon seeing that collection I told my mum...

ME: Mum?
MUM: -pauses tele- yes?
ME: When I'm on the red carpet, I will wear an Elie Saab dress.
MUM: Oh... -rolls eyes and unpauses tele-


style.com

Yeah. So. One day I will be on the red carpet for some reason or other, maybe, and then I will wear Elie Saab. Like Rachel McAdams at this year's Oscars, wearing my most favouritest dress ever!! Oh Elie Saab, how do I love thee? Let me count the ways...

Countdown to Marc Jacobs;

I've been ridiculously excited about the live online streaming of the Marc Jacobs A/W10 Show since it was announced, and I set the date in my phone calender and have been positively gushing about it ever since!

So tonight, in preparation, I have taken Pro Plus and drank my weight in tea. I drink copious amounts of tea anyway, but I've even outdone myself today I think, so this show better be good!! I'm incredibly hyper!

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I actually made notes as though I was some kind of reporter whilst watching this, so let's see if I can make some sense of them...

Adorable Marc Jacobs tugged down the curtain as Robert Duffy (@robertcduffy) had mentioned on Twitter only minutes before, to reveal his models. The theme was definately utility chic; the smooth, suave business feel of the sharply tailored suits was toned down with loose, flowing hair and fresh faces. Little kitten heels in neutral colours were paired with socks for an older, more womanly feel, rather than cutesy (I felt).

Flowing materials in soft pastels ruled the show (like most others this season), with a smattering of glimmer and shine in the dresses and coats especially. Capes, fur-trims and knee length skirts were staple features, as were elbow-length gloves, sweeping backlines, and thin satin dresses worn under thicker, heavier coats. There was romanticism in ruffles, frills and loose bows, that added a touch of delicacy to an otherwise strong collection.